Labyrinth, courtesy Wikipedia

As if birthdays themselves don’t make you feel old, Labyrinth is 25 years old this week. I believe it has gone down in history for introducing young kids to David Bowie’s music (and his incredibly tight pants).

Labyrinth is one of those delightful mid-80s movies that combines live action actors with Muppets. In the interest of full disclosure, I must admit: I love muppets. Not just of the Miss Piggy variety, but all flavors coming from Jim Henson’s creature factory. And boy, does the movie come through with the muppets.

Storywise, David Bowie plays the King of the Goblins, who captures Jennifer Connolly’s baby brother when she, a put-upon teenager, wishes him to be spirited away. She then must travel to Goblin land to rescue her brother, teaming with Muppets great, small, and gross, in the process learning some about friendship and growing up (aw!).

Watching it as an adult, you realize that Connolly, at sixteen, looks like a Renaissance beauty, and Bowie, in his natural predatory state, circles her like a hungry fox.  Is it slightly creepy? Yes. Can this be overlooked? Oddly, also yes.

Also as an adult you wonder: why did David Bowie decide to dress up like an elf attending a disco in a kids’ movie? Where was his career? Did he consider this an extension of Ziggy? These are not important questions; what is important is that it happened. And it may be his finest role on film.

Because what really blows the movie out of the water is the music, composed and performed by DB of course. I would be eternally pleased if every jukebox had a copy of “Magic Dance.” The rest of the songs aren’t too shabby either.

It’s one of those childhood movies that sticks with you. And yet it’s probably best not to watch it again until you’re showing another youngster, so as not to burst that happy bubble. Happy 25, Labyrinth!

Want more?
You MUST watch “Magic Dance:”

And the Flight of the Conchords’ take on Labyrinth-era Bowie is pretty hilarious: